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Interviews, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
访谈, 2018.09.25 Tue, by

Rachel Lehmann – interview

Sitting at a small table in the Lehmann Maupin booth at Art Basel Hong Kong, Chris Moore spoke with Rachel Lehmann about how she became involved with art, galleries and Hong Kong. >> Read more
访谈, 2017.05.26 Fri, by

VIVA ARTICLE VIVA

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more
访谈, 2015.05.12 Tue, by

A Slacker’s Guide to Venice

Randian's resident Italian takes on the Venice Biennale opening week.
 
 
 
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Interviews, 2014.05.05 Mon, by

A Never Ending Story: Mario Cristiani

A conversation between the artist Girolamo Marri and Mario Cristiani, co-founder and director of Galeria Continua.
 
 
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Interviews, 2014.02.21 Fri, by

SHContemporary 2014: Project Briefing

Bologna Fiere, the organisers of SH Contemporary, hosted a press conference in Beijing to outline the 2014 edition of the fair.
 
 
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Art World, 2013.06.20 Thu, by

Notes and Quotes and Pics and Bits from Venice

On the day the winners are announced, I stumble upon the celebratory drinks for the combined Lithuanian and Cyprus Pavilions, which won a special mention from the jury...
 
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Interviews, 2013.05.17 Fri, by

French Connection — An Interview with Almine Rech

Almine Rech is one of the leading gallerists in Paris and Brussels, and had early on developed a strong taste for conceptual and minimalist art, including presenting James Turrell's first commercial show in Europe. Other important solo shows have included John McCracken, Richard Prince, Jeff Koons and now Liu Wei... >> Read more
History & Theory, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more